How to Set Your Self-Published Book’s Price

The following is the last installment in my I Want to Self-Publish – Now What? series.

How to set your self-published book's price - www.alliepottswrites.com

Let’s be clear, convincing people who don’t know you or haven’t followed your exploits on social media to buy your book is hard. I mean really, really hard. Luckily, self-publishing allows authors to do something those who have pursued other publishing paths cannot. Namely set your own price, which on the surface sounds easy enough, but there are a few steps you should take before advertising your book to the world.

1. Determine Your Book Pricing Strategy

In theory, you can set any price you want. Unfortunately, just because you can set it equal to your monthly rent or mortgage payment, doesn’t necessarily mean you should. You need to be strategic. Speaking of pricing strategies, there are three that dominate in the self-publishing industry: permafree, 99c, and full-price.

Permafree

Permafree is a term publishers use to describe any book that is available indefinitely for no financial cost to the reader. I’m personally not a huge fan of this strategy because I’ve found it to be harder to give my books away than it is to sell them, but other authors swear by it as a strategy for gaining fans and email list building.

However, not all retail outlets will allow you to set a $0 price for your book. And why should they? They make their money by taking a portion of your earnings. So, by making your book free, you are costing them server space (as minuscule as that is) in addition to the manual resources it took to review your book’s files and maintain the listing on the site without any chance for profit.

To get around this minor detail, self-published authors offering their book for free on sites that allow it and then wait for larger sites, who like to be the low-cost leader, to notice and magically price check. Officially, the book will still be listed for sale at a price on the publisher-facing setup forms, but will show as $0 on the consumer/reader-facing pages.

99c

If you don’t want to go the permafree route, the 99c strategy can still make your book enticing for those who are less willing to spend their money on a relatively unknown author. However, it is worth noting that Amazon takes a larger cut of the sale for 99c books than it does for full-priced books, and by larger, I mean it takes the majority of the sale (65% plus delivery charge). In other words, 99c books, by and large, don’t make authors rich, they make Bezos (or the Bezos wanna-bes) richer.

That said, the average reader has been conditioned to expect a steep discount when it comes to self-published books. They expect to be entertained for hours for less than it costs to purchase and mail a greeting card. This conditioning is entirely on us and would effectively take a literary revolution to counter at this point.

As a result, 99c remains an effective pricing strategy, particularly for the first book in a series. You just have to hope that readers like book one so much they are willing to pay full-price for all the rest in order to make the loss worth it.

Full-price

This brings me to full-price. Full-price is a rather nebulous term that is the maximum value you, as the author, can expect a reader to pay for your work. I say nebulous because it can range widely depending on genre and, sadly, the publishing route.

The truth is there is quite a bit of bias against self-published books—they don’t get featured in round-ups in pop-culture magazines like Entertainment Weekly, and rarely get added to things like Oprah’s book club. Your book may be the literary equivalent of the Mona Lisa, but as far as some people are concerned, your book isn’t worth the paper it’s printed on unless you are signed by an agent.

Sadly, this bias has forced self-published authors to price their books below that of their traditional counterparts in order to make them more appealing to the average reader. But on the upside, you don’t have to worry about earning back your advance or splitting commission with a third party.

So what is full-price for a self-published book?

If you ask Amazon, they will tell you that a full-priced book is $2.99. They even have a ‘helpful’ tool that will produce a pretty graph that will show you can expect maximum conversions at this price point. It doesn’t matter that the average traditionally published book costs closer to $9.99 at launch or that your book is 500 pages—Amazon will always suggest you price your book at $2.99.

While you are absolutely, positively free to charge $2.99, I want to be clear—you don’t have to take this suggestion. I price all of my books higher than $2.99 and I still sell them. You also don’t have to keep it at one price for the rest of time eternal. You can go back into setup forms at any time and adjust pricing as you see fit.

2. Research the Competition

When determining what you should charge for your book, research the competition. Take a look at the bestsellers in your intended categories and see if you can detect a common pricing trend based on the number of pages or date of publication.

The reason I am suggesting you pay attention to the date of publication in addition to page count, is that often a book will be launched at a lower price point as a way to drum up initial sales or reward early fans, but then gradually increase as the book gains reviews. Then, setting your book’s sales price can be as simple as matching the trend. That said, don’t feel compelled to discount your book just because others have if you think it is worth more.

However, it is a good idea to end whatever price you choose with ‘.99’. For example, $0.99, $1.99, $2.99, etc. People expect to see 9s in prices. Prices like $3.43 or $13.48 weird them out and make it seem to the reader like you don’t know what you are doing, which in turn, makes them think you are an amateur rather than an expert.

3. Adjust for International Currencies

When you enter your sales price into the various retail site’s setup forms, the sites will often suggest international prices for you. However, these suggestions are based on that day’s currency exchange rates, and not necessarily what is best from a marketing perspective. For example, a $4.99 price could result in suggestions like €4.24 or £3.87, which appear random and are off-putting.

This is why you should always go through and manually tweak your book’s price for international markets, making sure that all your prices end in .99 no matter the currency.

4. Hit the Submit Button

Pricing is usually the last step in the book setup process. Therefore, assuming you’ve already uploaded cover and interior files, and updated your categories, description, and keywords, all there should be left to do is hit the submit button.

Once you hit that button, your book’s information will then be flagged for review by the various retail sites. This step is intended to ensure your book doesn’t violate any of their content policies. If there are no concerns, they will send you a congratulation email. From that point on, all you have to do is plan a launch, which is a whole other topic, and hit that publish button.

I hope you have found this series interesting, even if you have no intention of ever venturing down the self-publishing path. If you are considering self-publishing, but aren’t quite ready to make the leap just yet, I’ve consolidated all of these articles into a downloadable pdf, which I hope comes in handy when the time is right.

Best of luck!


If you prefer to navigate through posts instead of downloading the consolidated guide, the articles in this series include:

Author SEO: Easy First Steps for Improving Your Book’s Chances for Discovery

This is another installment of my I Want to Self-Publish: Now What? Series.

According to the United National Educational Scientific and Cultural Organization (UNESCO), 2.2 million titles are published each year—and that figure is based on data pulled from 2013, so it’s likely even higher by now.  This means if you do decide to self-publish, it isn’t enough to write a great book, you will need to put in some effort to ensure it is discoverable and enticing.

Ultimately, this means creating a marketing plan (and then executing said plan) and establishing an author platform, but that’s a whole other series. However, there are also a few things you can do during the setup process as good first steps.

Don’t Neglect Your Book Description

Your book’s description is also often referred to as a blurb. This is the text that goes on the back cover of a print book and next to an image of your book’s front cover on the retail site. The retail sites let you use things like bold or italic text to catch the eye, but be careful to use this formatting sparingly. If you emphasize everything, you emphasize nothing. In addition, as a best practice, keep it between 100 and 250 words.

Fiction Descriptions

In fiction your blur should contain a short introduction of your main character and status quo, inciting action that launches the plot, the stakes—or reasons readers should care about your character and his or her journey, as well as a hook that incentivizes the reader to buy your book. If you are writing genre fiction, you want to be sure to sprinkle in words or phrases that make the genre clear to the casual browser.

Non-Fiction Descriptions

In non-fiction, you should use the description to establish what your text is about, how a reader will benefit from reading it, and why you are a credible expert on the topic. In this case, it is also a good idea to use words or phrasing that gives the reader an indication of the overall tone of the work. For example, if you write your non-fiction with a humorous slant, it is a good idea to include a joke or pun. If your non-fiction is data-driven, consider including a statistic that supports why your text exists.

Research Potential Categories

Next, research your book’s potential categories. Think of these as the sections of a bookstore. Does your book belong in the science fiction section or the self-care? If you aren’t sure what category your book belongs in, go to the retail site and see what the top sellers are in each of the categories your book could belong in. Ask yourself things like:

  • Does my book’s cover look similar to the top sellers?
  • Does my description match the tone / style of these top sellers?

If the answer to these questions is no, consider another category or consider re-writing your book’s description so it is more in line with what readers in that category expect to see. Ideally, you want your cover to look similar to other books in the category as well, but as that can be costly step—I consider it more of a last resort.

Most retail sites limit you to one or two categories, which you establish during the book’s setup. However, your book may be listed in additional sub-categories if you use certain keywords or if you contact the retailer directly. Kindlepreneur.com provides a great summary of what these specialized keywords are.

Use Long-Tail Keywords

You will be asked to add your book’s keywords during the setup process. The word, keyword, is misleading because it makes it sound as if you can only pick a single word. In truth, you can use a whole phrase as a keyword. This is known as a long-tail keyword. Keywords are also the terms and phrases people type into a site’s search bar.

A way to come up with keywords is to pretend you are a book shopper who doesn’t know your book exists. Ask yourself, what questions do your book answer? Should your book be the number one result on the page when a person types in the phrase ‘writing craft books’ or ‘stories of personal resilience?’ The phrases I have bolded are examples of long-tailed keywords.

Some keywords have more competition than others. This means that there are more authors attempting to get their book discovered using the same word or phrase. Longer keywords tend to have less competition than short words or phrases, which is another reason to use them. However, you don’t want your keyword to be so specific to your book that only one or two people are searching for it.

You can test keywords by entering them into a retail site’s search bar and paying attention to how many results the search returns. That said, I highly recommend a tool called PublisherRocket, which can help you analyze how competitive a keyword is while also providing you an estimate as to how many people are searching on a word or phrase.

Purchase an ISBN

If you are only publishing an ebook, then this last step isn’t as important. However, if you want brick and mortar stores (or libraries) to discover and order your book, you want your name (or publishing company) to be listed as the publisher of record—not KDP, which they view as a competitor. To do this, you will need to purchase an International Standard Book Number (ISBN).

Why ISBNs Matter

ISBNs are the ID number that booksellers use to track sales of your book. The other reason purchasing an ISBN is a good idea is it allows you to set up your book with multiple printers and still be able to centralize reporting of your sales. If you do not own your own ISBNs then you will have to regularly review multiple sales reports and track your performance on a spreadsheet.

While you can use a single ISBN with multiple printers, be aware you have to have a separate ISBN for every print book format. That means that if you want to have a paperback and a hardback version of your book, you will have to purchase and use 2 ISBN numbers.

Where to Purchase ISBNs

You can purchase an ISBN from Amazon or IngramSpark, but this will cost you more than if you’d bought them directly from the source. In the US, the source for ISBNs is Bowker (www.myidentifiers.com). Canadians get these numbers for free. Lucky them.

You can buy a single ISBN or bulk ID numbers.  I take years to publish books because I keep getting distracted by other shiny objects, and yet I have yet to regret buying 10 ISBNs at the same time.

If you are starting to feel a little overwhelmed by the setup process, don’t be. As a self-publisher you can change your book’s description, cover, categories, and keywords at any time. You can even add or revise the subtitle. So, don’t lose sleep if you don’t get it right, right away.


However, if you would prefer not to navigate through a number of posts, I have also consolidated the entire series into a single downloadable PDF, which you can access by clicking here.

How to make an author panic in 3 easy steps

A friend posted a picture of her son, roughly Kiddo’s age, riding a bike, which while cute, was more notable by the fact that the child’s training wheels were off. Seeing the picture, I’d asked Kiddo if he’d like to give it a try too.

“Just imagine – you’ll be able to go biking with the big kids. When you don’t have training wheels, you could even go to the park by yourself or even to Nana’s. Doesn’t that sound like fun?”

Lamont and I wheeled the bike out. After strapped Kiddo’s helmet on tight, Lamont and I took turns holding Kiddo’s bike upright as our son wavered and wobbled down the side of the street. Still, no matter what we said, or how we cheered, it was clear that Kiddo’s confidence wasn’t quite there. Lamont tried the old parent stand-by. Running behind Kiddo, he simply let go.

Kiddo wasn’t fooled for an instant. Crash. Scrape. “How could you!”

“It’s important you keep trying,” we’d told him, hoisting the bike back up. To give him credit, he did. Several more times. But no matter how hard we tried, gravity (and more than a little fear) continued to knock him down.

“Try pedaling faster,” we’d suggest loudly. “Try actually steering…” we’d mutter more to ourselves.

Flustered, we eventually decided we’d tried long enough. “Most people don’t get it right on the first day,” I told Kiddo. We’d keep trying, a few minutes a day. He’d get the hang of it in no time.

We didn’t. He didn’t. The weather got hot. The dog needed walking. There were any number of excuses that cropped up. Finally, we simply reattached the training wheels. The timing simply wasn’t right.

It is easy to make excuses. But the weather has begun to cool. Those excuses are now running out. It is time for Kiddo to get back on his bike. Which brings me to the other subject of this post.

How to make an author panic in three easy steps.

  1. Tell them you’ve bought their book. Okay, technically step one is usually enough to send me into cold sweats, but then again, just because they’ve bought it, doesn’t mean they’ve read it. So…
  2. Recommend they look into marketing techniques such as podcasts. All the cool authors are doing it
  3. Encourage them to contact hosts. It’s so easy! Just follow their instructions.

There are those in the writing world with far more years of experience under their belts, who recommend not worrying much about book promotion until you have at least three if not five books to your name. In theory, this method allows you to have a greater catalog ready to offer readers when promotion efforts hook new readers. One book at a discount could turn into multiple book sales by return readers.

Take the Apple for example. Sure, Apple spends most of its time promoting the iPhone, but that is only one of their products. Once they’ve gotten you hooked on the device, you are more inclined to purchase accessories or even less advertised gadgets. The same principle applies to books. Promotion takes a lot of work. You want to ensure you have the best return possible.

This was also a convenient strategy for me. I accepted I would not be an overnight success. I dare say I embraced it. I felt justified not worrying about marketing beyond the occasional giveaway or occasional guest piece as I worked away on the next project.

Unfortunately, as I neared the final pages of this draft it occurred to me that I will have three books to my name in the coming months. Which means it is time for the marketing training wheels to come off. In a fit of insanity, masquerading as bravery, I researched blog and radio hosts who might be interested in discussing a book like mine. I figured, what’s the worst that could happen?

Within days I received a message back. They’d love to have me on their show. My heart began to race as the reality of what I’d done began to sink in. I’d have to talk to people I’d never met. Publicly! I read further. In September. Phew! September was weeks away. My breathing calmed. I’d have plenty of time to get myself mentally prepare by then.

Only… the weather is beginning to cool. School has resumed. It is already mid-September and my show is coming up in one week. September 23rd at 6pm Eastern time to be exact.

So now I have one week to calm my nerves. It’s not like this is your first guest appearance, Allie. One week to practice my selected reading. Wait. What? One week to ponder why writing, which traditionally is such an introverted activity, requires so much extroverted follow-up. Really. Why? And one week to remind myself of reasons I am doing this. I want to be able to ride with the big kids one day as much as I want to set an example for my sons. But also, just as importantly, I am doing this because I’m proud of what I’ve done.

It is time to dust off the virtual helmet and restock the band aids. So wish me luck. Here I go.

My First Time

My plan for world domination er I mean literary success continues. Upon hearing of my upcoming launch, Steven Capps was kind enough to feature me on his blog this week. Thank you once again, Steven.

Bard & Books

Hi there guys, for this week I have the honor of introducing the talented Allie Potts onto the blog. Her newest novel, The Fair & Foul, was released earlier this weekIt is a science-fiction story set in the near future where the lines between humanity and technology are beginning to blur.

FairandFoulFullwebHQ_02Juliane Faris, an ambitious programmer, shortcuts the next step in her career by undergoing an experimental surgery fusing her brain with a supercomputer. The procedure grants her unprecedented knowledge and cellular control over her body, but threatens everything she holds dear including her sanity. When others undergo the same modifications it becomes apparent that not everyone can afford the price that this technology demands. After reading her guest post, don’t hesitate to click on the cover and support an amazing author.

My First Time

Get your mind out of the gutter. This is a blog about writing, so of…

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Is that a fire hydrant or a really odd garden gnome?

German garden gnome
German garden gnome (Photo credit: Wikipedia)

After staring at my computer screen for hours, I decided to go for a walk at lunch as a way to recharge.  There is a secluded nature park within a short walk that can be reached by passing through the adjacent residential area. It’s not particularly impressive, but it at least gives me a destination to go to when I need some fresh air.

It had been a partially cloudy day which had allowed me to walk at a rather brisk pace without worrying that I would stink up my office upon my return. At least it had been at the beginning of my walk. As I began the final stretch, the clouds parted and the sun beat down upon the payment. We’ve had an unusually wet summer this year and the ground was full of pent up moisture. Within an instant the humidity skyrocketed and I found myself wishing that I had gills.

Luckily trees with low hanging limbs draped the sidewalk ahead and I eagerly darted under their cover. I stood there for a moment to enjoy the last bit of shadow as the rest of my route was in full sun. To my left stood a fire hydrant.

Its paint was faded and it had a layer of mold and bird droppings that helped to blend it into the surrounding landscape. It certainly did not command a high degree of visibility from the street. There have been ceramic garden gnomes which have caught my eye quicker. I found myself wondering how often it was maintained. I wondered what would happen if there was a nearby fire. Would the firefighters even know it was there? I imagined the damage that could be avoided if only someone would do a better job of trimming those trees or applying a new coat of paint to that hydrant.

Most fires don’t put themselves out before they have reduced everything around them to cinders. It doesn’t matter if the fire is a physical one or the more metaphoric variety. However it isn’t enough to provide the tools to combat them, you have to make sure everyone knows they are there, and then remind them over and over again.

At my work, I am the documentation queen. I’ve written several hundred pages of memos, policies, and procedures. I placed these documents on the company network for all employees to share. I believed I had given the entire company a great reference tool. However it seemed that the moment someone encountered some situation they weren’t entirely sure of they would either panic or do nothing.  Senior management would get frustrated. Why are we repeating the same mistakes? Customers would get frustrated. Why were we making their lives so difficult? I grew frustrated. What was the point of all those hours spent refining those policies or putting them to paper if no one was going to read them?

Book promoters will tell you often that you can write the greatest story ever, but no one will read it if they don’t know it exists. This saying is true for so many things beyond the publishing world. It wasn’t that my co-workers were lazy. They just hadn’t needed to use the reference guide in a long time. They hadn’t been involved in its creation and had no reason to remember the contents of every single page.  I’ve since learned that the average adult has to hear something more than six times before it embeds itself into active memory. Six times! I couldn’t fault my colleagues for not retaining information I had only mentioned once or twice. My co-workers simply didn’t know what they didn’t know.

So now unless I want to have the written equivalent of a garden gnome I must trim back those trees, apply a new coat of paint, and repeat, repeat, repeat, or in marketing terms, promote, promote, promote.